My thanks to Elizabeth Siberry for reviewing Stained Glass from Welsh Churches in the 2015 issue of Brycheiniog, the journal of the Brecknock Society and Museum Friends.
She mentions two shortcomings of the book. One was that the locations of the churches in remote locations will be unfamiliar to those without a good knowledge of Wales, and I am reminded that I had intended to add a map to the volume to help with this. As things worked out I simply ran out of time when completing the design of the book this time last year, although I had not yet worked out in my mind how I was going to reference several hundred place-names on a single map.
The other was that there are important windows in the old county of Breconshire (Brecknock) that are not mentioned in the book (as there are throughout Wales). One that she mentions is John Petts’ east window of 1989 at the Church of St Mary, Brecon, which I overlooked in favour of other windows by the artist, partly because it was included at a generous size in Alison Smith’s chapter on the work of the artist in the 2010 volume Biblical Art from Wales. In fact I tried to complement the illustrations in her chapter by including photographs of windows for which only the cartoons were illustrated, and his east window at Llansteffan, which was represented in Alison Smith’s chapter by a photograph of him working on the window. In this instance the window was reproduced in the Carmarthenshire and Ceredigion Pevsner (2006), but as it was such a personal window, it seemed particularly important to the history of stained glass in Wales.
Stained Glass from Welsh Churches is an attempt to present a full range of stained glass in the churches of Wales, and a book of the best stained glass in Wales would have been a different book and even more subjective.
Mentioned in the review are Carl Edwards’ windows at Llyswen and David Pearl’s windows at the (now closed) Catholic church in Crickhowell, and these are perhaps of particular importance. Also in the book from the old county are details from the fine Tractarian church at Beulah and the excellent Modernist work of Harry Harvey at Maesmynys (the images far too small to show off this window).
So what else from Breconshire might have deserved a mention in the book? Along with John Petts’ window in Brecon there are good windows by Powell’s and Horace Wilkinson in Brecon Cathedral. Another important work in Brecon is the unusual window by Clayton & Bell to J.P. Seddon’s design at Christ College Chapel, Brecon, which merited a colour illustration in Martin Harrison’s Victorian Stained Glass (1980). Now part of Brecon, the church of Llanfaes is represented in the book by a late Morris & Co. window, but not the east window designed by James Hogan at Powell’s in 1924.
At Builth Wells I found and illustrated a small window in Alpha Chapel that I attributed to Burlison & Grylls, partly because of the amount of their late work in the area, notably nearby at the parish church where there are large late works by them. There is also a large east window of by C.E. Kempe that I tried, and failed, to find a home for in the book.
A search for windows in the county is possible by searching for churches in the county of Breconshire/Brecknockshire on the Stained Glass in Wales Catalogue, although I have much more to add from my archive when I have time one day. The catalogue also shows locations of the churches listed on Google maps.
And if you’re wondering where Breconshire is, it’s the lower part of central Wales.