Back in 2006 I first met Nicola Gordon Bowe at the first conference of the ‘Imaging the Bible in Wales’ project in Lampeter, when she gave a distinguished lecture on the Irish artist Wilhelmina Geddes. This was at a time when I had only recently begun to look seriously at stained glass, as part of my work on the project recording biblical art in Wales. Apart from the window that Geddes made for the Church of St Peter, Lampeter, I knew nothing of her work. Nicola’s lecture left none of us in any doubt that Geddes was a consummate artist, who, like many others who have worked in glass, had been neglected in the prevailing fashion for painters and sculptors and the usual canon of movements in western art.
This is underlined in Nicola’s masterly new book on the artist. Rightly known as the expert on that other Irish luminary of stained glass, Harry Clarke, her book presents a detailed survey of Geddes’ career with many illustrations of her work and archival photographs. While her windows and preparatory drawings are most prominent, work in other media demonstrate the extraordinary ability of the artist.
Wilhelmina Geddes is presented as an artist whose medievalism is not outweighed by her modernism, and who found modernism in the stained glass figures at Chartres of the eleventh and twelfth century. Her windows are often monumental, while attentive to detail, and unusual in their composition, as the detail on the cover demonstrates.
The importance of her window at Lampeter was recognised by my colleague on the ‘Imaging the Bible in Wales’ project, John Morgan-Guy, whose suggestion to invite Nicola Gordon Bowe to our conference was inspired. The window was the most significant of her late works, and the commission is given plenty of attention in chapters ten and eleven, with numerous illustrations.
Wilhelmina Geddes: Life and Work, by Nicola Gordon Bowe, is published by Four Courts Press.