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The subject of this post is the east window made by David Evans that was removed at the time of Gilbert Scott’s restoration of the cathedral. This important work by the artist is dated 1838 in the Pevsner for Gwynedd, a date which I followed when illustrating one of the panels, now in the west window of the nave, in chapter three of Stained Glass from Welsh Churches.
I am contributing to a series of talks relating to the ‘Cult of Saints in Wales’ project in Bangor this Saturday, and have been looking up some newspaper references to windows installed in the cathedral. The east window was paid for from contributions given when the vicar, Revd J.H. Cotton, was appointed Dean of Bangor, but the design for the window by David Evans was only agreed in November 1838, suggesting a completion date more likely to be 1839 than 1838, which was in fact the date given by Mostyn Lewis in his Stained Glass in North Wales up to 1850 (Altrincham, 1970). However, a report on the finished window did not appear in the North Wales Chronicle until 30 June 1840, stating that the window was completed during the previous week. This report gives a good description of the window, but only describes six figures: David and Solomon, with the four evangelists, although there are now nine figures in the three windows that contain glass from the old east window (one on the west window, and one towards the west end of the north and south aisles).
In the report on the agreement of the design in November 1838, it was regretted that the amount raised did not allow for the whole five-light window to be filled with figures (as originally proposed in October 1838), and with the outer lights being filled with decorative glass, the cost was expected to be £200. It was not until 1843 that four further figures were added and the window completed, the North Wales Chronicle states, ‘through the munificence of our Bishop’. The four additional figures were two from the Old Testament, Aaron and Moses, and the saints Peter and Paul. We can therefore assume that these were placed in the outer lights, most likely with the Old Testament figures on the left.
The window was removed when the chancel was restored and George Gilbert Scott introduced a window by Clayton & Bell as the east window in 1873, which remains in place today with ten main compartments, now filled with scenes from the Life of Christ. It does not appear that the figures by David Evans were reset in their present positions until 1880, and when they were, there was only space for nine of the ten figures. Solomon, who was crowned and held a sceptre in his right hand, and a ground plan of the temple in his left, was presumably lost to the cathedral in the process.
In summary, for Aaron, 1838, read 1843!
My talk on the saints in stained glass and in sculpture in Bangor Cathedral will be on Saturday 12 September, the last of four talks relating to the ‘Cult of Saints in Wales‘ project.
I will be presenting a number of talks in September related to my work on stained glass in Wales. The first of these will be held in Narberth Museum on 3 September at 7.00. Earlier in the afternoon I will be at Oriel Q from 4.00, where my exhibition Patterns, Monsters and Mysteries will be in its final week, to talk about the exhibition. Immediately prior to the talk, the Church of St Andrew, Narberth, will be open from 6.00, providing an opportunity to see windows by Joan Fulleylove, Morris & Co and Robert Newbery.
I will also be speaking at conferences in Aberystwyth and Carmarthen, both of which are related to broader themes. The Aberystwyth conference is a British Academy Digital Humanities Networking Event, 12-13 September, at the National Library of Wales. For the conference in Carmarthen I will be speaking about images of Welsh Saints in stained glass as well as in other media. This conference, 16-19 September, is part of The Cult of Saints in Wales Research Project at the University of Wales Centre for Advanced Welsh and Celtic Studies.